青娱乐伊人_情色伊人日本大香蕉伊人_日本伊人电影色色伊人

青娱乐伊人_情色伊人日本大香蕉伊人_日本伊人电影色色伊人_天天狠天天透天天伊人

日本伊人伊人75av五月伊人丁香伊人9亚洲伊人影院伊人app伊人520 五月伊人网伊人成人网香蕉伊人视频亚洲伊人伊人33热伊人伊人22综合五月丁香伊人香蕉网伊人色伊人影院伊人宝

ONE:Close to a temple, of which the cornice is decorated with female figures holding musical instruments, on a sort of terrace a party of youths were making a distracting din with brass instruments, acutely shrill, and, of course, tom-toms. Two very small temples covered with brass that shines like gold stand in the bazaar to mark the beginning and end of the coppersmiths' quarter, where every stall rings with the tinkle of the little hammers tapping the metal that is beaten into trays and pots and a thousand vessels for the worship of the gods and for domestic purposes. Workmen aged four, the great-grand-sons of the master-smith, were already trying their 'prentice hand, chiselling the hard metal with a free touch, and ornamenting cups and bowls of traditional shape. And this is the only part of the calm and lazy city, living on its temples and its sacred river,[Pg 161] where the visitor feels himself a "tourist." Here the shops for the special craft of Benares are furnished with the unwonted luxury of chairs, and some display of signs and wares is made. Further on is a large open place full of piles of flowers, garlands of jasmine and marigold, and heaps of rose petals to be strewn on the water.

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THREE:When the road was made through Bunnoo a pile of stones was heaped up in the middle of the village. The Moslems finally persuaded themselves that this was a saint's grave; and they come hither to perform their devotions, planting round it bamboo flagstaffs with pennons, and adding to the mound the stones they piously bring to it day by day.

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THREE:The heat to-day has suddenly become stifling; the low clouds veil the colourless sun, and the flowers, which yesterday were still lovely, are now[Pg 278] withered and pallid, and only give out their scent in the evening, when it is cool again.Inside, a subdued light, rosy and golden, comes in through the myriad interstices, casting a glow of colour on the pierced marble screens which enclose the tomb of Shah Alam, Sultan of Gujerat. The tomb itself, hung with a red cloth under a canopy on posts inlaid with mother-of-pearl, is dimly seen in the twilight, scarcely touched here and there with the pearly gleam and lights reflected from ostrich eggs and glass balls��toys dedicated by the faithful to the hero who lies there in his last sleep. Yet further away, under the trees, is another tomb, almost the same, but less ornamented, where the sultan's wives repose.